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Wood House in Buenos Aires, Argentina
Exotic Wood House by The Beach
Modern Wooden Home Unfolds

This modern Melbourne, Australia beach home is a twisted, wooden mass sprawling across the beach of its Mornington Peninsula property. The home’s entrance isn’t immediately apparent without a walk-about – a feature that the architects at McBride Charles Ryan purposely incorporated into the design for this vacation home, providing a quiet, peaceful retreat for residents and their guests. A glazed door peeks out from beneath the wooden folds which occupy the better part of the facade. Inside, a more-traditional design is surprising, given the home’s unique, modern exterior. Sunlight streams through the windows, casting illuminated shapes onto the wooden floor while illuminating every corner. A wooden deck encircles the home’s exterior, creating wonderful outdoor living spaces to take in the sunny surroundings.



Geddes Residence Shines in West Vancouver
We’ve been covering wooden houses before, but we have something new for you today. Designed by Nigel Parish from the Canadian Architectural Design Studio Splyce, the Geddes Residence is a beautiful shining home with an irregular shape and view to the ocean, built in West Vancouver and surrounded by a very carefully planned scenery. The Geddes Residence is special on the upper level where an outdoor room and a sundeck exist but also on the lower floor where open space is the main characteristic, with lovely large windows and doors. Looks very modern and comfortable, one of the best place for a family to move in.
Final Wooden House
Final Wooden House - Type: wooden bungalow - Location: Kumamura, Japan - Completion: 2008
Images and text by Sou Fujimoto Architects - Photographer: Iwan Baan
I wanted to create an ultimate wooden architecture. I thought through this bungalow, which can be considered as a small and primitive house, it was possible to do a primitive and simultaneously new architecture. 350mm square profile cedar is piled endlessly. At the end of the process appears a prototypical place before architecture became architecture.
Final Wooden House, Sou Fujimoto Architects, 2008
Final Wooden House, Sou Fujimoto Architects, 2008
Final Wooden House, Sou Fujimoto Architects, 2008
Wood is amazingly versatile. Due to its versatility, wood is used in a conventional wooden architecture by intentional differentiation in various places. Not only in structures, such as columns and beams, but it can also be used in everything else from foundation, exterior wall, interior wall, ceiling, flooring, insulation, furniture, stairs to window frames. I posit that if wood is indeed multifaceted, then conversely it should be possible to create architecture that fulfills all functions by one process, and by one way of using woods. It is an inversion of versatility. From that originates, new architecture that maintains an undifferentiated condition of the harmonized whole before function and role underwent mitosis.
Final Wooden House, Sou Fujimoto Architects, 2008
Final Wooden House, Sou Fujimoto Architects, 2008
350mm square profile cedar has an amazing impact. It transcends what we usually call “wood” and becomes “an existence” of an entirely different material. While the dimensions adequately display its materiality as wood, 350mm squared is simultaneously the dimensionality directly corresponding to human body. Thus, three-dimensional space is created out of 350mm increments. This stepped space was a long fascination of mine for couple of years as its defining characteristics are the generation of a sort of spatial relativity and a new sense of various distances unachievable by coplanar floors.
Final Wooden House, Sou Fujimoto Architects, 2008
Final Wooden House, Sou Fujimoto Architects, 2008
There are no categorization of floors, walls, and ceilings here. A locality that was thought as a floor transforms into chairs, ceilings, and walls from different perspectives. Floor levels are relative and people reinterpret the spatiality according to where they are. People are three-dimensionally distributed in space and will experience new sensations of depths. Spaces are not divided but is rather produced as a chance occurrence within fusing elements. Inhabitants discover various functions within those undulations. It is a place akin to nebulous landscape. This resonates with the undifferentiated condition of above-mentioned architectonic elements. Both as a constructional methodology and experiential space, this architecture is synthesized by the fusion of various undifferentiated elements. Here, conventional rules of architecture is nullified. There is neither a plan nor a stabilizing point. This is possible purely because the wood is that versatile. Perhaps it is only possible with wood to be simultaneously the insulation and the structure, the finish and also the furniture. By being composed of the wooden blocks instead of slabs, the method of creating the undifferentiated condition was made clear.
Final Wooden House, Sou Fujimoto Architects, 2008
Final Wooden House, Sou Fujimoto Architects, 2008
I think this bungalow ceases to be within the domain of wooden architecture. If architecture made from wood is to be considered wooden architecture, then this bungalow is the wood itself that transcends the architectural convention to directly become a place for humans. It is of primordial existence before architecture. That is to say, rather than new architecture, it seeks new conception, a new existence.
Modern Wooden House – A Brazilian Beauty in Finland
via Arch Daily
Dønning Community Building / JVA
Architects: Jarmund/Vigsnæs AS Architects MNAL
Location: Kleppstad, Norway
Client: Dønning Youth Society
Start Date: July 2005
Completion Date: July 2006
Design Team: Einar Jarmund, Håkon Vigsnæs, Alessandra Kosberg, Stian Schjeldrup, Nikolaj Zamecznik
Site Area: 2,500 sqm
Constructed Area: 400 sqm
Photographs: Jarmund / Vigsnæs AS, John Stenersen
The old building for the Dønning Youth Society, an independent and local community organization, burnt down December 13th 2004. The new building combines rest facilities and a café for tourists in the tourist season with a community building for the rest of the year.
The site slopes towards the water. The vegetation is low, indicating the harsh local climatic conditions. The building stands on its own, not unlike the big rocks you find scattering the Norwegian landscapes left from glacial activities.
The building is relatively closed, with the central communal space surrounded by supporting functions. The entrance is made visible almost as a big mouth, a clear cut, which reveals the interior. The large glass opening also gives contact with the midnight sun.
The structure is resolved as simple and cost efficient as possible. The exterior is covered in corrugated fiber cement boards. The large openings are covered in wooden paneling, painted brightly red.
The building is completed within a very limited budget defined by a preliminary design by a local builder. Both design and construction was done within one year, and the building was completed as a cooperative effort among the members of the youth society.