Best Hollywood Home of the Year

Best Hollywood Home of the Year

Called “Home of the Year” by some American journalists, this stunning house sits among the Hollywood Hills and it’s full of new technologies: CinemaScope theater, 7.1-channel surround-sound, intricate TV concealment, extensive automation.

Best Hollywood Home of the Year
The residence was designed and built by Temple Home, whose co-owner, Xorin Balbes, has earned recognition for his restoration of famous Los Angeles-area homes.

Best Hollywood Home of the Year
“They developed it as the ultimate bachelor pad, and part of their thing was that they wanted all of the technology that a young Hollywood actor or director might want,” says systems developer and DSI co-founder Eric Thies.

Best Hollywood Home of the Year
“Obviously, there were a lot of potential buyers here that fit that category, so for a 7,000-square-foot house they wanted a lot of technology crammed into it.”

Three areas are filled by surround sound, including a rattling 7.1-channel JBL Synthesis system in the theater and an understated 7.1 Sonance architectural speaker layout in the family room.

There’s even a separate video game room that features a triple-screen auto racing simulator and a flat-panel TV that taps into a local PC for gaming fun.

The theater presents movies on a 125-inch Stewart Filmscreen in the superwide CinemaScope format (2.35:1 aspect ratio), accompanied by a Runco projector and CineWide anamorphic lens that fills the screen without black bars. Combined with the JBL system, which includes Synthesis processing, amplification and equalization, the theater rates with the finest of Hollywood screening rooms.

Best Hollywood Home of the Year
The blend of A/V and architectural touches doesn’t stop at the back door, either (35-foot sliding glass doors, by the way).

The outdoor pool area and landscaping are included among the 20 zones of housewide audio and peppered with 16 unobtrusively placed speakers.

Best Hollywood Home of the Year
“The ability for technology to disappear was far more important in this house than others we’ve done, and the things we couldn’t hide, like touchpanels and keypads, had to be special,” says Thies. “We didn’t want to completely give up A/V performance, and I think we compromised here in the right ways.”